"The Rhinos", Inga Gallery, Tel Aviv, June 2015
Text by: Eden Gerber and Arianne Mintz

Huddled in the gallery space stands are propped up on either side, carrying paper statuettes: figures and divinities, some dancing some castrated; bodies swaying and distorted, erections. Call them what you will, but to us they are all rhinoceroses. And you might ask, quite sensibly, how can we tell that these rhinoceroses are reveling in a till-Jerusalem’s-bitter-end party? To that we answers simply that all of these – a perforated Hitler, an excommunicated Shabbatai Zevi, cavorting magavniks (Israeli border policemen), a banana in a state of undress, as well the oozing pallid discharge, the leg spreading, the dismemberment, the cries of anguish, the unlikely penetrations – all share in the frenzy and flurry of a celebration without end, in the sensual abandon of the Dionysian mysteries of ancient Greece beyond the good and bad so fervently adhered to by the Grecians.

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Violent Accident, 2015, fabric

Overactive Bladder, 2015, fabric

Little Hannah, 2015, fabric

Sabbatai Zevi, 2015, fabric

Pleasure, 2015, fabric

The Piper, 2015, fabric

Antique Merchant, 2015, fabric

Border Police, 2015, fabric

Banana, 2015, fabric

Olympia / Retarded Woman with Cat, 2015, fabric

Beitar, 2015, fabric

Ecology Onto Death, 2015, fabric

Plastic Surgery, 2015, fabric

Sneak Whisperer, 2015, fabric

Golden Boy, 2015, fabric

Axe Circumcision, 2015, fabric

Sugar Mama, 2015, fabric

Eve, 2015, fabric

Young Yakuza, 2015, fabric

Mutton Ribs, 2015, fabric

​Muselmann, 2015, fabric

​Suicide Hitler, 2015, fabric

Slug, 2015, fabric

Spine, 2015, fabric

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​merav kamel 
מרב קמל 
halil balabin 
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